YOU MAY today have heard about the literary journal Boston Review and its decision to keep award-winning author Junot Diaz in place as their fiction editor. You may also know that Boston Review’s three poetry editors (count ’em: three) have resigned in protest to their decision.
MOST INTERESTING to me is this part of the Boston Review statement, penned by editors Deborah Chasman and Joshua Cohen:
–we considered whether, as some have suggested, the complaints point to a larger pattern of abusing power—the kind of star power that has attached to Junot as a successful writer, editor, and public intellectual. On the basis of a careful review of the public complaints, we think not.
Interesting, because if you read the statements of Zinzi Clemmons, Carmen Maria Machado, Monica Byrne, and others, you see that the star mindset in arrogance and attitude is a major part of the writers’ complaints.
POWER and its abuses is what occurs in a system where the writer plays the role of continual supplicant; facing the arrogance of power through every step of the process, be it writing workshops, MFA programs, the many seminars and conferences– all with steep price tags– onto dealings with the layers of agents and “Big Five” conglomerate editors themselves, who regard themselves, and not the writers– the artists whose work should stand at the center of the literary machine– as chief value.
The current writer industry is a kind of Ponzi scheme, in which writers with little-to-no chance of real success pay and pay, conforming to the standards of the literary industry (flawed standards, we believe)– while the rewards go to a chosen connected few at the top of the heap. Which wouldn’t be all bad, if the work rewarded fully justified this. It doesn’t.
It’s a system largely built on networking and connections– on being from the right background or school or writing program, having the right pedigree, correct credentials and proper sponsors.
A system– a machine– built from top to bottom to create arrogance and abuse.
New Pop Lit was created to be an alternative, artistically and in every other way.
We remind ourselves every day it’s about the reader and the writer.