On Clarity and Clowns

THE TASK OF THE NEW WRITER

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CLARITY is totally underrated by today’s literary community. It starts with what the text looks like on the page. The wrong way to write in our eyes is to present dense blocks of text with no way in.

THE FIRST TASK of the writer is to show the reader a quick way into your narrative– your world. (Why hooks are important.) Reading can’t be a leisurely activity because we don’t live in a leisurely world. Life is fast– boom, boom, boom— rushed hustling images words sounds bombarding the body and brain from all directions, overwhelming.

HOW DO WE COMPETE?

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HOW do we as writers stay relevant against distractions of every kind, from video games to TV screens smartphones Pokemon, chat rooms, all the unintelligible irrational noise and nonsense, talking head politicians blabbering blather waving arms around, give me your VOTES, give me power you can trust me really you can. . . .

It’s all a circus sideshow.

The one thing you can say about the current occupant of the center ring of the three-ring circus is he recognizes the spectacle and is happy playing the clown.

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-Karl Wenclas for New Pop Lit NEWS

 

Revolutions in Literary Style

IN MANY ARTS there’s a push-pull between simplicity and complexity. It happened in the rock music scene, where what started out as direct and immediate– early rock n’ roll– transformed itself into increasing virtuosity and complexity with the pretentious “prog rock” of Yes, Emerson Lake and Palmer, Pink Floyd, ELO and Company. The reaction to this barrage of bombast came with the in-your-face simplicity and immediacy of punk rock.

sex pistols

A similar situation occurs in the literary world. Literary revolutionaries like Ernest Hemingway and Jack Kerouac strove to cut the excess detritus from what they saw as a corrupted and decadent art– corrupted by the convolutions of Henry James and similar stuffy esoteric literary icons for whom direct communication with the reader was a secondary consideration.

WHY CLARITY AND DIRECTNESS?

Over the past few decades literature has been beat up badly by rival arts like movies, comic books, even video games, whose advocates place their favorite art on the same level as novels– which those of us who understand all the novel can achieve artistically, emotionally and intellectually view as an absurdity.

What those arts are able to do, and do well, is communicate. They make a direct connection to the individual experiencing them, stressing what have been the strongest parts of literary creations– character and plot. Aspects which elite writers have downgraded as they’ve retreated further into the solipsistic mind and the contortions of their writing styles.

If literature begins once again to compete, it will sweep the field of every rival. After all, comic books have their roots in the Dumas novel The Count of Monte Cristo— which in itself remains a far greater artistic work than any comic book, any superhero movie, any video game.

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THE SOLUTION

The solution to the dilemma of literature in today’s world will be found in another stylistic revolution which simultaneously cleans up and strengthens the literary art, leaving it more readable and far more exciting.

The 3-D Short Story we’ve been advocating and constructing is only the first step.
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-Karl Wenclas, New Pop Lit NEWS