Junot Diaz Versus Lynch Mob

BUCKING THE ACCEPTED NARRATIVE

lynch mob

OUR BRAINS like to simplify the bombardment of information coming from all directions at them. They draw conclusions about an issue then file away those conclusions– but not the entirety of arguments, complexities, and nuances leading to them. Once those conclusions, right or wrong, become the accepted narrative, that narrative is embedded like concrete into the minds of thousands– even millions– of people.

THE MEDIA feeds on those narratives. It creates them, expands them and spreads them via headlines, hyperbole, and hysteria.

Leo-frank-police-have-the-strangler-headline
WITH the Junot Diaz issue we have a narrative that was already created. Sexual harassers everywhere– and they are everywhere. The frantic scramble to out them spread to the literary world. One or two members of the Old Boy network like Lorin Stein at Paris Review were quickly taken down. For a hungry media that wasn’t enough.

WHEN an aggressive activist fed media members gossip, rumors, and exaggerations about Junot Diaz, already worked-up journalists were primed to pounce.
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THESE THOUGHTS were occasioned by an exchange on twitter I became part of.

NOTE how minds have already been made up– that Diaz’s guilt in the matter is assumed. Attempts by Heather Quinn  and myself to bring up actual facts and evidence met with closed doors. (I ended up blocked.)

Junot Diaz’s fiction used to condemn him? Really? Why?

Because it fits with the accepted narrative about him, which was established by a media frenzy on May 4th and has since become embedded into the literary public’s heads.

But the authentic intellectual questions the accepted narrative.
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-Karl Wenclas for New Pop Lit News

Assumptions and Allegations

PIECING TOGETHER THE JUNOT DIAZ CONTROVERSY

puzzle

REMEMBER, the Junot Diaz alleged sexual harassment controversy has been based on assumptions and allegations from the beginning. A score of press outlets, beginning May 4th, swallowed the allegations entirely. They assumed the stories were correct– hyperbolic language and all. In the media’s mind they had to be. They did no research into the matter. To this day they’ve done little-to-no research. Discoveries which have come to light since have been made by citizen journalists, concerned individuals, and upstart literary sites like this one.

For my part, I’ve sifted the available evidence, examining each piece to see if it fit, and will continue to examine them. An occasional piece of the puzzle has to be thrown out. The overall picture for me remains delineated.
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Puzzle3

MY OWN assumptions were based in part on two documented facts:

1.)  Dara Levy of Buzzfeed News emailed Zinzi Clemmons on December 18, 2017, asking Clemmons to phone Levy about rumors concerning a writer later identified by Clemmons as Junot Diaz.

2.)  Dara Levy co-authored the Buzzfeed News article of May 4, 2018.

What conversations took place in the interim? Was Dara Levy privy to information about Zinzi Clemmon’s upcoming confrontation with Diaz in Sydney, Australia?
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STIPULATE if you wish that the breaking news of May 4th created itself, an act of spontaneous combustion, with no one’s aid, intent, or participation. Tweets in the middle of the night from three obscure writers went viral on their own, no reporters or buzz creators notified. Twitter works that quickly. A host of respectable news outlets ran with the story and its unchecked allegations almost immediately.

Stampede-by-W.-R.-Leigh-1915

IF THIS is how it actually happened, things become more scary. Caught up in an electronic frenzy, major media outlets decided to destroy the reputation of one of America’s leading writers. Just like that. Behaving like a blind, unthinking herd. Run the story! Journalists climbed over one another in haste to deliver the narrative.
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I DO have some new information I’ll be posting shortly. First though, soon, I plan to do a short post on the question of how stories go viral. The Junot Diaz story may be the quickest in literary history– but we are dealing with new technologies.

-Karl Wenclas for New Pop Lit News
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(Painting: “Stampede” by W.R. Leigh.)