Pushcart 2018!

NEW POP LIT’S 2018 NOMINATIONS

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And the nominations are. . . .

Every year we vow not to do Pushcart Prize nominations and every year we send them in anyway– usually right at the deadline.

After all, in 2018, despite our ups and downs, we featured a lot of talented writers. The difficulty is choosing among them.

This year we’ve nominated five short stories and one poem. A stylistically diverse mix of the offbeat and the traditional.

FICTION (in order of publication date):

“The First Time” by Anne Leigh Parrish.

“The Hunting Cabin” by Brian Eckert.

“Up On the Mountain” by Jack Somers.

“On the Rails, Off the Rails” by Elias Keller.

“Yelp in Reverse” by Wred Fright.

POETRY:

On Midsummer’s Night” by C.A. Shoultz.
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We thank all writers who allow us to present their writing.

(We thank Pushcart Press for their tremendous work!)

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Why Did They Publish It?

THE COLLAPSE OF BIG FIVE PUBLISHING IS ONGOING

james frey

Call it a collapse of credibility more than anything.

James Frey may be the most egregious person on the literary scene today.

Frey’s 2003 best-selling memoir, A Million Little Pieces, was later revealed by The Smoking Gun to contain large fabrications.

In 2010 James Frey was shown by Suzanne Mozes of New York magazine to be running a “fiction factory” ruthlessly taking advantage of aspiring young writers.

Frey’s just-released novel, Katerina, is getting slammed by literary critics.

-Including by Ron Charles at the Washington Post, who says it may be “the worst novel of the year.”

-Including by Claire Fallon at Huffington Post, who states firmly that “James Frey Still Sucks.”

THE QUESTION everyone is asking is “Why does James Frey continue to be published?”

It has to be more than Ms. Fallon’s take that he’s published simply because he’s a white guy. There are scores of talented white male writers out there who aren’t landing big book contracts from Big Five publishers like Simon & Schuster. At New Pop Lit we’ve published many of them, including Clint Margrave, Jack Somers, Brian Eckert, Richard Greenhorn, Gregory YelnishAlan Swyer, D.C. Miller, Alex Bernstein, Alex Olson, Jon Berger, Michael Howard, Don Waitt, Wred FrightJoshua Caleb Wilson, and Elias Keller, to name some of the more recent names.

simon & schuster bldg(Simon & Schuster Building.)

COULD IT BE that giant book companies which are part of gigantic media conglomerates and insulated by layers of bureaucracy within Manhattan skyscrapers are simply unable to locate actual literary talent? Instead they take the easiest path: “Round up the usual suspects!”

It’s a top-heavy and feckless system worthy of collapse.
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-Karl Wenclas, New Pop Lit NEWS

Our 2017 Pushcart Choices

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WE HAVE an image in our heads of a back room at Pushcart Press. In the room are envelopes– stacks of postmarked envelopes. Corridors of mountains of stacks of mailed envelopes sent by every literary press or project in America– nominations for the 2017 Pushcart Prize. Ours is there, in the room, somewhere, among them.

We’re optimists, so we designed our mailing and its Intro letter– and chose our nominees– with a goal in mind: winning the elusive prize. The odds? What are odds!? We sneer at the odds! We have no “name” writers, and we aren’t a name ourselves to the good people at Wainscott, New York. But we’re here and we believe in ourselves and our project.

This year we published a number of excellent stories, poems, and profiles. Many could have been nominated. We used reasoning and rationalizations to make our selections– all such decisions are ultimately arbitrary, based on whim and whisper as much as logic. So it was with us.

OUR SELECTIONS and the reasons for them:

Elusive Instinct” by Ana Prundaru.

Simple, clear writing. Perfectly easy to get into, but with marked style as well. No easy trick to accomplish. A story whose tone and mood fits the stylish aesthetic to which we aspire.

“Dry Bones” by Sonia Christensen, and “The Fetus” by Clint Margrave.

Two well-written, powerful stories which begin with intriguing openings. Read the first sentences of both of them. The titles themselves are provocative and visual. More than this, the stories are works of art with depth of meaning to them.

“Operative 73 Takes a Swim”  by Wred Fright.

This one is so different from the norm in execution, ideas, and plot we believe it would catch anyone’s eye. Even in Wainscott, should any eye happen to glance at it, within the mountains and stacks. Like the others, it’s also a terrific little tale. Wred has published work with New Pop Lit on several occasions, is overdue for recognition from us. The lesson: keep sending us work!

Finally, we nominated two short-but-striking Appreciations of American writers, which we published as part of the ongoing All-Time American Writers Tournament.

One, about Philip K. Dick, is by D.C. Miller. The other, about Gene Wolfe, is by Robin Wyatt Dunn. Two able wordsmiths who can do much with a limited amount of words.
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We love and respect all the writers we’ve published, and all who’ve submitted work. Without the writer we’re nowhere– just a blank screen awaiting the magic of art.