The Short Story Process

REINVENTING AN ART?

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In 2019 we plan to change things up a bit. Our commitment to excellence and artistic change will increase. The poem and short story both have become generic. Needed are drastic new ideas to improve them. Possibly, to blow up both forms and start over.

And so, “The Process.” We’ll start with the short story. I’ll be posting at one of my personal blogs several short stories I wrote in the 1990’s. Apprentice work, but a foundation for where I plan, personally, with my writing, to go. The first of these to go up is titled “The Revolutionaries.” A story with a connection to recently-deceased George H.W. Bush, so it’s appearance will be timely.

Before this I may post one of the new stories I’m working on, tentatively named “Safe Zones.” Again: timely.

Co-editor Kathleen M. Crane is also back writing, working on a rough draft of a new story– one which will carry forward her own ideas on clarity and conciseness in the short story art.

I’ll be discussing the process more in future posts. We have an end point– through radical artistic change, badly-needed renewal of the entire literary art.

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Stay tuned.

-Karl Wenclas for New Pop Lit NEWS

 

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Poetic Justice?

ONE REACTION TO THE AILEY O’TOOLE PLAGIARISM ISSUE

Ailey-OToole(Photo from The Rumpus.)

THE BIG NEWS in the U.S. literary world over the weekend was the accusation of plagiarism against young poet Ailey O’Toole. The past couple years O’Toole was incessantly networking a host of interconnected literary journals, becoming known within that well-protected, well-screened community as one of the art’s rising young stars– culminating in this interview at The Rumpus. Much drama there expressed. A troubled individual, no doubt.

NOW it’s discovered, by those who published and promoted her, that O’Toole was plagiarizing not just one writer, but a lot of them.

ANOTHER discovery has been less acknowledged– that Ailey O’Toole was an enthusiastic member of the so-called Poetry Cops. She worked hard at having fellow poet Rachel Custer removed as a reader at a lit journal called Barren Magazine— and blacklisted throughout the poetry world. (In this day and age, many literary journals actively support the idea of an ongoing blacklist of journals and writers.)

IS it poetic justice then for Ms. O’Toole to end up in effect banned herself?

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Is there a lesson in this?

IT MIGHT BE that more important than a writer’s perceived political stance is the quality of character. That when a poet is spending half her time trying to get other poets fired or blackballed– dissing and diming them out; instead of focusing on the art– it might be a sign of a lack of that long-forgotten quality.
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-Karl Wenclas for New Pop Lit NEWS

Pushcart 2018!

NEW POP LIT’S 2018 NOMINATIONS

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And the nominations are. . . .

Every year we vow not to do Pushcart Prize nominations and every year we send them in anyway– usually right at the deadline.

After all, in 2018, despite our ups and downs, we featured a lot of talented writers. The difficulty is choosing among them.

This year we’ve nominated five short stories and one poem. A stylistically diverse mix of the offbeat and the traditional.

FICTION (in order of publication date):

“The First Time” by Anne Leigh Parrish.

“The Hunting Cabin” by Brian Eckert.

“Up On the Mountain” by Jack Somers.

“On the Rails, Off the Rails” by Elias Keller.

“Yelp in Reverse” by Wred Fright.

POETRY:

On Midsummer’s Night” by C.A. Shoultz.
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We thank all writers who allow us to present their writing.

(We thank Pushcart Press for their tremendous work!)

Neo-Beats Out of Control!

style

(Classic style.)

At least, they’ve taken over the New Pop Lit site. New Beat writing in all its various iterations.

First, a review of an anthology of Beat-style in-the-larger-sense fiction and poetry.

Second, a current poetry feature of lakebeatgrunge poems from beat56.

AND, a home page Intro to all of this.

HELP!!!

(Our self-appointed task is to cover what’s happening in the lit world. What’s happening at the moment might be right here.)

A NOTE ON STYLE

One thing the cultural period of the late 1950’s and early 60’s had was style. The Beats were the obverse to the established “Mad Men” look. (Think Frank Sinatra’s Rat Pack, pictured.)

rat pack

As such, the Beats were relentlessly satirized by established pillars of culture. Thoroughly mocked– in venues ranging from television shows such as Dobie Gillis and The Beverly Hillbillies, to movies such as Funny Face starring Audrey Hepburn. The point is that poets and writers mattered. The Beats suffered the slings and arrows of the culturally challenged but they also created exciting fun art.

Audrey Hepburn funny face 50s black polo neck beatnikdancing white socks

(Audrey Hepburn.)

 

Alan Swyer at New Pop Lit!

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Ace storyteller Alan Swyer is back with another entertaining tale– this one titled “The Sage.”

It’s about a filmmaker who’s hired to make a documentary film about a meditation guru, who’s a bit of a control freak, and has a high opinion of himself, and. . . . Complications ensue.

EXCLUSIVELY at New Pop Lit.

Fiction Illuminating Life

TWO classic American stories are wry commentaries on non-fictional news events.
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“The Girl on the Plane” by Mary Gaitskill, written in 1993, concerns a man on a plane flight who gets into a conversation with a younger woman sitting next to him. This takes the man back to events in his youth. I don’t want to give away the plot, but IF you’re at all interested in the allegations about Supreme Court nominee Brett Kavanaugh, especially those coming from Julie Swetnick, I suggest you read the story. As the man on the flight says, “It’s complicated.” OR– things are never as simplistic as camps on both sides of the aisle pretend to make them.

READ IT– Not least because it’s well constructed and packs an emotional punch. One of the better– and more relevant– American short stories ever written.
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baldwin

“Come Out the Wilderness” by James Baldwin, written in 1965, illuminates an event much talked-about of late: the similar Senate hearings which took place when current Supreme Court Justice Clarence Thomas was nominated. In the Baldwin story, a young black secretary has lunch with a black executive from the same company. He drops the company facade for a moment to speak in an earthier tone. It’s a reflection of sorts on the more awkward conversations Clarence Thomas sought to have with Anita Hill, which were taken in a less kindly light than does the secretary in Baldwin’s story.

James Baldwin wrote several dynamite short stories which rank with any writer’s. This is one of them.

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-K.W. 

Our “Best of the Net” 2018 Nominations

Here are our Best of the Net nominations for 2018.

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They encompass work published online between July 1, 2017 and June 30, 2018.

(Best of the Net 2017 is here. The Sundress Publications website is here.)
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AS ALWAYS we had more good work than we were able to nominate. For fiction, we nominated two of our longer stories– both require some investment in reading. Both stories required an ample investment in imagination and work in writing. Both stories are excellent in very different ways. They exhibit the range available within a “Pop Lit” designation.

WE hope you read or re-read all of the nominated works.

We thank these writers and all the writers who’ve generously allowed us to publish their work.

Fiction:

“Churchgoing in New England” by Richard Greenhorn,
published 9/28/17.
“The Rottweiler” by Alex Bernstein,
published 1/12/18.

Non-Fiction:

“Hemingway” by Samuel Stevens,
published 7/28/17
“Cry Wolfe” by Robin Wyatt Dunn,
published 11/16/17.

Poetry:

“Black Water” by Robert Beveridge,
published 10/16/17.
“Processed World” by Rus Khomutoff,
published 02/02/18.
“Starbucks Bars to Be Sung I” by Timmy Chong,
published 4/12/18.
“Jonesing” by Timmy Chong,
published 4/12/18.
“Tourist Trap” by Holly Day,
published 4/18/18.
“Losing Another One” by James Croal Jackson,
published 5/7/18.
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Literary Lynch Mob Locates Another Villain

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WORD today is that Ian Buruma is out as editor of New York Review of Books after fallout from his allowing accused sexual batterer Jian Ghomeshi to write a mea culpa complaint for the publication. Some past accusers like Jesse Brown counter-complained  that Ghomeshi’s essay was filled with “inaccuracies, omissions, evasions, and mischaracterizations.” Other literary persons and activists were outraged simply that Ghomeshi’s name appeared in anything.

Ghomeshi, yes, gave his viewpoint. Distorted? Probably. Surely fair game for attack and debate.

BUT– that wasn’t enough for these hysterical times. For the mob, Ghomeshi and anyone who enables him– though he was already judged by the legal system– needs to be obliterated.

New York Review of Books was founded under questionable circumstances during a newspaper strike with Random House money. Yet, over the decades it’s had quite the glamorous history. Has been contentious, and to this commentator’s knowledge has never before caved under pressure– at least not so immediately.

SOME OBSERVATIONS:

-WRITERS themselves seem to be leading the literary lynch mob, which conjures up images of approved apparatchik scribblers during the halcyon days of the Soviet Union.

-WHETHER Ian Buruma resigned or was fired, someone at NYR of B caved into mob pressure all too quickly. Another blow to the integrity and independence of literary magazines.

-THIS is another in the ongoing castration of classically macho establishment literary publications. (See Paris Review.)

WHO’S NEXT?
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-Karl Wenclas, New Pop Lit NEWS

Why Did They Publish It?

THE COLLAPSE OF BIG FIVE PUBLISHING IS ONGOING

james frey

Call it a collapse of credibility more than anything.

James Frey may be the most egregious person on the literary scene today.

Frey’s 2003 best-selling memoir, A Million Little Pieces, was later revealed by The Smoking Gun to contain large fabrications.

In 2010 James Frey was shown by Suzanne Mozes of New York magazine to be running a “fiction factory” ruthlessly taking advantage of aspiring young writers.

Frey’s just-released novel, Katerina, is getting slammed by literary critics.

-Including by Ron Charles at the Washington Post, who says it may be “the worst novel of the year.”

-Including by Claire Fallon at Huffington Post, who states firmly that “James Frey Still Sucks.”

THE QUESTION everyone is asking is “Why does James Frey continue to be published?”

It has to be more than Ms. Fallon’s take that he’s published simply because he’s a white guy. There are scores of talented white male writers out there who aren’t landing big book contracts from Big Five publishers like Simon & Schuster. At New Pop Lit we’ve published many of them, including Clint Margrave, Jack Somers, Brian Eckert, Richard Greenhorn, Gregory YelnishAlan Swyer, D.C. Miller, Alex Bernstein, Alex Olson, Jon Berger, Michael Howard, Don Waitt, Wred FrightJoshua Caleb Wilson, and Elias Keller, to name some of the more recent names.

simon & schuster bldg(Simon & Schuster Building.)

COULD IT BE that giant book companies which are part of gigantic media conglomerates and insulated by layers of bureaucracy within Manhattan skyscrapers are simply unable to locate actual literary talent? Instead they take the easiest path: “Round up the usual suspects!”

It’s a top-heavy and feckless system worthy of collapse.
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-Karl Wenclas, New Pop Lit NEWS