Pushcart Nominations 2019

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OUR GOAL at New Pop Lit is to do things correctly in the microcosm before we start on the macrocosm. This means, finding exciting work from new writers which approximates the kind of literature we’d like to someday distribute throughout the world on a massive scale.

These thoughts were present in choosing our 2019 nominations for the Pushcart Prize. Conciseness and intelligence combined with condensed energy.

Along with other considerations. (Such as low ink levels in our printer!) Having to send in hard copies of nominated work, our tendency was toward brevity. Fewer pages.

AS every year, there was more good work to choose from than could be chosen. Selections to some extent are arbitrary. One criteria this year was that each of the three stories chosen, and each of the three poems, fit our model– be excellent– yet at the same time be different from the others. Unique. The three poetry selections are very different from one another. As are the three stories also very different from one another. 

POETRY

“That’ll Do, Pig” by James D. Casey IV
published March 8, 2019

“Head Honcho” by Kai Warmoth
published March 15, 2019

“Sailor Song” by Jess Mize
published April 12, 2019

FICTION

“The Uncertainty” by Alexander Blum
published June 27, 2019

“Spoiler Alert” by Angelo Lorenzo
published July 24, 2019

“The Prop Comic” by Bud E. Ice
published September 30, 2019

MUCH THANKS to all the writers who allowed us to publish their work in 2019!

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The Joyce Carol Oates Ad

MASTER CLASSES AND EXPERTS

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ANYONE watching Youtube videos the past several days has been hit with utterly pretentious ads for something called “Master Class.” Among them is one by Joyce Carol Oates which might be the apex of the type, for a variety of reasons.

“Joyce Carol Oates Teaches the Art of the Short Story.”

Yes, budding writers. You’re original, you’re unique. You’re YOU. Now follow these rules so you can craft the acceptable literary story which looks and sounds like what everyone else is doing. . . .

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RULE OF THE EXPERT

RECENTLY I read a fascinating old book on tutoring by Samuel L. Blumenfeld. (A contrarian kind of expert, who in his day bucked the educational establishment.) In the book, Blumenfeld explains that the alphabet and 0 to 9 numbering system were primitive coding tools: “–the great intellectual leap forward” providing narrow roads for humans out of their fog of ignorance. Primitive ways for understanding the complexities of the universe– a universe which today’s physicists are discovering is 1,000 times more complicated and unknowable than Newton dreamed of. They’re usable tools– simple versions of other tools which might someday be available.

Or: In the greater scheme of things none of us knows as much as we like to tell ourselves about how this world operates. Or of what could be known.

From the first day of school we’re brainwashed to believe in experts– made to adopt the illusion that we humans fully understand this world. That all answers are possible and available. Yet by using our own limited animal brains– along with simplistic coding tools like language or computers– we’re incapable of fully comprehending the cosmos.  (Ancients flipped the script– believing the only fully true knowledge was revealed knowledge: the mind of the universe intentionally communicating to us.)

This society remains sold on the idea of experts. Not on those grasping with humility for knowledge, no, but instead, those assumed to already have it. Nowhere is this more evident than in the writing game.

THERE ARE hundreds more possibilities of how to write a short story than, say, of how to play the high-level chess game. Yet students in writing programs are taught there’s only one way: the accepted, well-crafted literary story.

ONE of the Assumed Experts in this matter is Joyce Carol Oates. And so we’re presented by an outfit named Master Class with the Joyce Carol Oates Master Class Video. For a fee, of course.
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“ONE OF THE TOWERING CAREERS IN AMERICAN LETTERS”

In her ad for the class, Oates fully adopts the role of Expert. Font of all literary wisdom. The appeal to the fledgling writer is not the presumed outcome– the creation of art– but instead, the self. Feeding the writer’s ego.

“If one can face the darkest elements in oneself, and things that are secret, you have such a feeling of power.”

(Among other things, this is pure gnosticism.)

“You’re going to explore your own imagination deep within you.”

Er, what about experience and observation?

“Language is the point.”

This is the philosophy of the literary writer. The words are more important than the tale.

Oates stands against the idea of a story moving too fast– she knocks the notion of reading a story in five minutes or less. (Note her smirk on the video at the very idea of it.) Never mind that pop music exploded in popularity when it offered songs with an average length of two minutes. They were dynamic, sharp, fun, and left the listener wanting more.

The Joyce Carol Oates technique is to offer the reader too much, drowning the narrative in insignificant details to slow down its pace. Anything to keep it from moving too fast. That would be wrong– at least by her moldy standards, which haven’t changed in sixty years. A time during which the short story has plummeted in size of audience, public interest, and cultural importance.

In the actual class Oates apparently talks about how interruptions are “the #1 thing that ruins creativity.” Well of course they are– if the technique is to draw the story solely from the imagination. This is the stale literary idea which posits The Writer as pristine individual existing in a bubble apart from the rowdy mass. Interruptions? People? LIFE?! NO! the precious Oates-style writer screams. Not when I’m in the middle of my imaginings!!

A DIFFERENT kind of writer welcomes interruptions, noise, life– Shakespeare at a tavern downing pints– because that writer knows experience is a writer’s material. Plot ideas and thematic points will still be in the brain in the morning. Along with much more– the insight and depth which comes with being part of the social world.

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The Master Class is aimed at upper-middle class aspirants who wish to become writers but unsure how to go about it. This is obvious in the two bougie students depicted eagerly accepting advice from the all-knowing oracle. The art of literature itself has dwindled in importance during the life of the Joyce Carol Oates career, but she herself has done fine, which is all that matters for the ambitious scribes. Find new literary territory? Write in a new way? Cannot be contemplated. Too risky. Pay your money and learn from the Voice of Authority. Of the status quo. Princeton professor. The same-old same-old.
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On the other  hand, I and my partner in this project and in life, Kathleen Marie Crane, are seeking new territory. Our tactics include speeding up the art. Speed and immediacy are our object. Instant connection with the reader– as fast as punchy as a punk rock song. We know people will dismiss our experiments. The early products won’t look like anything that would be taught in a “master class.” We proceed regardless– because change is what art is and has always been about.
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-Karl Wenclas, New Pop Lit NEWS

 

 

 

 

 

Will the Revolution Be Co-opted?

WILL CAPITALISTS BUY OUT COMMUNISTS, SOCIALISTS, DSA ET.AL.?

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THEY ALREADY HAVE!

Witness the new Alexandria Ocasio-Cortez Action Figure from a Brooklyn-based outfit named FCTRY, run by CEO Jason Feinberg and Chief Design Officer Alyssa Zeller Feinberg.

“We turn ideas into products!” FCTRY claims. “We marry pop design to mass production, turning original concepts into global brands.”

Other action figures include that legendary foe of Corn Pop, Joe Biden.

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Am I criticizing FCTRY? Not at all! Tremendous kudos and respect to them for their initiative. They get what it’s all about. 

(For more information on their products, go on their website.)
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-Karl Wenclas for New Pop Lit NEWS

 

A Jerry Lewis Essay

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WE’VE received good positive feedback for an essay we recently ran at our main site, “Jerry and Me” by esteemed Hollywood producer and director Alan Swyer– a mini-coup for New Pop Lit to be given this inside look at one of show business’s biggest all-time personalities. Worth a look if you haven’t already read it.
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Summer Reading 2019

YOU WANT summer fiction? WE have summer fiction.

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Three terrifically good stories, each very different, from three excellent new writers.

FIRST was “The Uncertainty” by Alexander Blum. A story about a displaced friend, a university, a Greek play, and many others things. The complications of life today.

NEXT was “Jerusalem” by Zachary H. Loewenstein— a quick but atmospheric look at that most historic and contentious of cities. Traveling this summer? This story exudes the feeling of travel.

MOST RECENT was “Spoiler Alert” by Angelo Lorenzo, an empathetic and romantic tale of the stirrings of love– or possible love– found at a movie about superheroes.

Something for everybody? We think so. All three short stories are highly readable and we think you’ll enjoy them.

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3-D Story Release Date

EIGHT YEARS IN DEVELOPMENT

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WHAT BETTER day to introduce the 3D Short Story than D-Day, June 6th?

“D-Day” in 1944 was the date American, British, and other Allied soldiers under the overall direction of General Dwight Eisenhower invaded the European continent to help rescue it from the Nazi menace. The assault changed the face of the war. Within a year the Nazi regime was over, Adolf Hitler dead from a self-inflicted bullet wound in the mouth.

WILL the 3D Short Story change the literary scene that swiftly? To that extent?

One can hope.

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The Bret Easton Ellis Show Trial

WATCH THE PUPPET MASTERS NOT THE PUPPETS

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WHAT was the Bret Easton Ellis interview with Isaac Chotiner in The New Yorker magazine really about?

The intent was to expose Bret Easton Ellis to the world. He’d inadvertently taken the wrong political tack– had said that people overreacted to Donald Trump. (True– and likely the intent of Trump himself.) Which meant Bret Easton Ellis had to be taken down. Destroyed. Humiliated. Publicly.

FOR MOST of his career Bret Easton Ellis was one of the established literary system’s Golden Boys. The same system-lit people or same kind of system-lit people– the herd– now piling on Ellis, celebrating his takedown, once were celebrating him.

What can artificially be propped up can also quickly be taken down. Manhattan media created Bret Easton Ellis. But then the political winds shifted. Lit-darling Bret stepped over the line. Call in an attack dog. Assigned mission: embarrass Bret Easton Ellis. Which happened.

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Watch the literary/political weather vane. Which way is the wind blowing?

Are we at war with Eurasia or Eastasia today?
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-Karl Wenclas, New Pop Lit NEWS

 

How to Change Literature

WHO NEEDS THE 3-D STORY?

mosaic photo a lesik via shutterstock(Photo: A Lesik via Shutterstock.)

I’ve been engaging in a lot of talk about the three-dimensional story, and will engage in more of it, BECAUSE whether or not we at New Pop Lit are able to perfect the idea– or someone else does– it’s a way out of the box into which the literary art has placed itself.

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WHO needs the 3D short story?

EVERYONE involved in the literary game in any way needs it– including at the highest levels, which are filled with caretakers and functionaries as much as literary artists. The scene is starved for a new kind of product– akin to the automobile business in the early 1950’s before the arrival of the Corvette, the Thunderbird, and the Mustang.

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(Especially had the only models available back then been stodgy Studebakers and Ramblers. Which is the condition of today’s established literary world.)

TIME FOR A NEW MODEL

The 3-D Story is the key to unlocking the future of literature. At this time, at New Pop Lit headquarters, in our labs and workshops, we’re furiously designing story prototypes– discarding some, keeping others, with a single goal:

To create the most brilliant and exciting short story ever written.

Once the new model is perfected and street-ready– fully readable and unique– the task will become leveraging it. Properly announcing the better literary product to the world.

These posts, at this blog, are laying that groundwork.
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-Karl Wenclas, New Pop Lit NEWS

The 3-D Story IS Coming!

DESIGNING A BETTER SHORT STORY?

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THE PROBLEM is that the new-style three-dimensional short story (now on our drawing board) is ridiculously difficult to write. The original plan was to have five or six prototypes finished by summer. As of now: One completed, another being worked on. I’ll be lucky to have that story revised and polished by summer. I have another 3-D story outlined (sketchy notes for others), and still hope to have that one ready by Halloween, as it has a Halloween theme.

My partner is trying the idea with a novel she’s been writing.
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My first half-assed attempt to place into reality ideas regarding “literary montage” was in 2014. That story attempt morphed into a novella–

ONCE the improved 3-D story is launched and successful, the price of “X” will be set dramatically higher, because– as imperfect as it is– the work contains enough clues on what the fully-realized version should look like to give the game away. IF the idea truly works, the trend-following literary herd will be certain to grab onto the concept. We plan to hold a monopoly on the style as long as we can.

The goal: To surpass-not-match ANY contemporary short story written by anybody.

With the 3-D story we fully intend to SHOCK the literary world.

Cassius Clay After Winning Championship

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-Karl Wenclas, New Pop Lit NEWS

Decline of a Corporation?

ANATOMY OF A NEWS STORY

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THE LATEST GENERAL MOTORS FIASCO

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SIX WEEKS DOING NOTHING

News in the social media age evolves swiftly. Too fast for the moribund PR bureaucrats at the General Motors auto company, apparently.

THE LATEST PR fiasco is news breaking nationally about virulent racism at a Toledo parts factory, covered in a story at CNN– a cable network with international reach.

TURNS OUT the story first broke on November 29, in an article written by Jamie L. LaReau at the Detroit Free Press.

According to the CNN story, response to the lawsuit and the initial accusations has been tepid at best.

I FIRST HEARD of the matter on my twitter feed yesterday. I checked both @GM and the twitter account of their CEO, @mtbarra. Hundreds of disgruntled customers were posting on their twitter feeds. Their response? Nothing.

The story had gone viral nationally, with articles at Slate, New York Post, and other places. Locally, with the NAIAS Detroit Auto Show taking place– positive press the order of the day– there was hardly a murmur. A couple perfunctory article eventually appeared. A recycling of the November 29 article by the Detroit Free Press. A short piece at the Detroit News. (I was traveling about, keeping tabs on my twitter feed on my phone.)

From General Motors, not a peep. Not a tweet.

This from a company which has received a mountain of bad publicity over its abrupt closure of several area factories during the holiday season– one the Poletown plant, about which many questions remain. Such as: HOW MUCH were the massive tax breaks General Motors received to build the thing?

The Poletown plant was built upon the bulldozed remains of a historic Polish-American Detroit neighborhood. (Disclosure: I was born in a hospital in that neighborhood.) An example, one could perhaps say, of ethnic cleansing.

MEANWHILE

Meanwhile, today, Friday, this evening, new congresswoman Rashida Tlaib and DSA people are to lead a protest downtown Detroit at the Detroit Auto Show, protesting the recent plant closures, among other things.

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They may as well add to their actions a protest about GM’s inaction, its inertia, its lethargy. Just saying.
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-Karl Wenclas for NEW POP LIT News