Contradictions of the Left

OR, ABSENCE OF THE AUTHENTIC

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WE’VE ALREADY examined some of those contradictions, in our analysis of n+1 magazine and of The Baffler. Today we look at another “hard left” publication, Current Affairs, founded and edited by Nathan J. Robinson.

WHAT readers of his magazine and Robinson himself don’t seem to realize is that any revolution which springs from Harvard University– where Robinson is a Phd candidate– is co-opted from birth. Sold out at the start. It wouldn’t matter what label they put on themselves or their system: “Marxist.” “Communist.” “Democratic Socialist.” It’d be packaging. Labels like the kind slapped on soup cans. At the core of things nothing will have changed. The same people will be in charge. The same careerist technocrat mindset would dominate.

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Why else does someone attend Harvard or Yale (Nathan Robinson has been enrolled in both places) other than to be at the top of the pyramid? After the revolution it’d be the same hierarchy, with a twist in messaging. (Robinson is said to be good at messaging.) Nathan J. Robinson and his Ivy League editorial colleagues carry that stratified hierarchy within them. It’s embedded in them.

Doubt this? Who runs the civilization now? Two of the richest men on the planet, Bill Gates and Mark Zuckerberg, both attended Harvard. The founders of Google went to Stanford University, which is almost as elite. Jeff Bezos of Amazon went to Princeton.

Politics? Every President of the United States from 1988 on before the present one was a graduate of Harvard or Yale. Or in George W. Bush’s case, both. Donald Trump went to the Wharton School, which is part of the University of Pennsylvania, an Ivy League university.

Do we see a pattern?

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Oh, but Nathan J. Robinson, like his peers at other leftist magazines, is different. His ideas are different. He’s a socialist. Probably, a Marxist. He cares. He really does.

I suspect that in their New Socialist World they’d be part of Shigalov’s Ten Percent– still at the top of the pyramid, controlling the people– for their own good of course.

WHAT’S HAPPENING?

Just as in every person there’s a conscious and subconscious, so also there’s the role the person plays– the face shown to the world– and the authentic individual sitting behind the John Keegan “Mask.” They’re not always the same. If ever the same.

Who’s the real Nathan J. Robinson?

Is it leftist radical at the forefront of a neo-Marxist intellectual movement? Or the son of a man who worked in international corporate training? (And no doubt taught young Nathan J. many corporate world tricks.) Scion of money and achievement– is that Nathan’s core reality? At crunch time, would Robinson throw his advantages away? Really?

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THE FLIP SIDE is the person from hardship and poverty passing as an exemplar of class and refinement. This was not only a plotline of many plays (see Pygmalion) and Hollywood movies– it was much of Hollywood reality. Witness the careers of Cary Grant and Clark Gable, who transformed their very beings– their voices, gestures, dress, speech, teeth– to fit the role they wanted to play.

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A BETTER EXAMPLE is the career of Elvis Presley. Dirt poor. Born in a shack. The embodiment of “white trash.” When he became massively successful he suddenly found himself playing doctors or suave playboys in Hollywood movies. In “Blue Hawaii,” the slumming son of big money.

Did he fool anybody?

That Elvis was out of place was part of the appeal. It was fantasy. He was living the dream. His audiences knew it and loved it.

Elite intellectuals of the Harvard/Stanford variety (except for a few rock n roll fanboy writers) never accepted Elvis as legitimate and to this day haven’t accepted him. Rock music itself was not taken seriously as an art form until middle-class pseudo-intellectual troubadour Bob Dylan began playing it. That’s reality.

-K.W.

The High School Nightmare

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OF ALL THOSE entities being blamed for recent school shooting tragedies, no one looks at the American high school itself. Those not-so-wonderful places of cliques, strivings, desires and divides. At New Pop Lit  we’ve run a few stories in recent months about the pressure cookers that are high schools.

The most recent was the intense “Eighty Pounds” by Jon Berger.

Before that, we had Clint Margrave‘s powerful story about high school bullying, “The Fetus.”

We also recently ran a short story written by a current high school student, under the pseudonym A.K. Riddle. The story is called “The Professor.”

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ALL THREE of these tales are must reads for those seriously wishing to understand high schools from the inside. Truth from fiction.

 

 

Publishing Industry Feeding Frenzy

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THE LATEST big news in publishing are the charges of sexual harassment taking place at writers conferences put on by the Society of Children’s Book Writers and Illustrators (SCBWI). This must-read post at School Library Journal is revealing on several levels– particularly if you read the comments, of which there are many. It reminds me of a fish tank in which the fish have begun feeding on themselves.

There are as many dramatic moments within the comments, in fact, as in a novel. One is when author and diversity advocate Tristina Wright is herself accused of harassment. Another is when the son of SCBWI‘s founder Lin Oliver jumps in to defend his mother against charges of inaction.

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(Tristina Wright.)
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Before making any kind of judgement about this matter, one should understand what writers conferences are about. Aside from making money off wannabe authors, they’re about networking, schmoozing, and socializing– often accompanied afterward by ample amounts of booze. Introvert writers away from home, brushing up against– and no doubt lavishly complimenting– well-known writers. Stuff will happen.

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(Well-known author Sherman Alexie, one of the accused, at a Weinstein Books party.)
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The situation with SCBWI is especially pronounced. According to photos, women outnumber men at their conferences ten-to-one. Put a wandering male in that situation– especially one with a too-healthy ego– and he’s going to feel like a kid in a candy store. An environment designed for a stray predator.

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(Photo from recent SCBWI conference.)
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Might the problem be with the conferences themselves? Beyond this, with the way the entire industry is set up, putting writers– the talent– in a position of marked inferiority?Making them face from Day One a series of barriers to leap over and hoops to jump through: instructors, agents, editors, publishers; each one holding the carrot, the desired book contract, at arm’s length. Does anyone believe that with this situation, a ton of machinations, ass-kissing, and real abuse would not take place, human nature being what it is?

There has to be a better way. At New Pop Lit, we’re devoted to finding and constructing that better way.

Is The Baffler a Leftist Magazine?

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THINK ABOUT IT. The “hard left” publication The Baffler aka “The Baffled” lobbies for the abolition of capitalism and presents itself as having democratic populist solutions for the ills of this flawed-and-ridiculously-complex civilization. They advocate for wrenching changes to do away with the plutocrats once and forever. Yet they, the know-everything prescriptionists, haven’t been able to abolish plutocracy even from their own little enterprise.

In 2015 billionaire Winthrop McCormack donated $3 million to the struggling magazine and installed his son, Noah, as its publisher. The Baffler is a tax shelter, so for the McCormacks it was a win-win situation all around. Nepotism, cronyism, inherited wealth– everything the Baffler editors pretend to oppose.

At least when I ran an activist writers group from 2000 to 2008, we were the genuine article. We lived our ideals– no plutocrats to be found– and still cranked out a shipload of DIY zines, made a hurricane of noise and pissed-off a great many elite people– especially in the island plutocracy of New York City– as a cooperative venture. We were proles for the most part and we slept on floors and endured short rations to keep our rebellion going.

Why do I suspect most of the Manhattanites who staff The Baffler are silk scarf revolutionaries from the Ivy League or similar prosperous spots?

Their editor, Chris Lehmann, product in his own words of downwardly-mobile social workers, has a pronounced fear of poverty, and so is unlikely to buck the system when the shit comes down and he’s required to make a choice. He is, in fact, like the rest of the staff, a Professional Leftist. Like Barbara Ehrenreich, one of their idols, they dip their toe in the real world on occasion and rake in the resulting big-system attention, financial grants, and awards.

In a twitter exchange, Lehmann assured me that “–nonprofit left magazines have always relied on financial angels, and I’m grateful that ours are genuinely principled.”

HOW principled is principal investor Win McCormack?

Win McCormack apparently overlooked the sexual harassment shenanigans of three of his buddies.

Two of them, Neil Goldschmidt and David Wu, are spotlighted here and in other news outlets. The third, fellow blue blood/rich guy Hamilton Fish V, has a long history of sexually harassing women, but friend/crony McCormack, who hired him as publisher of The New Republic when he bought the publication in 2016, just didn’t know! (If you believe that I have some toxic land in Detroit I’d like to sell you.)

This cozy world is the left in America now. Excuse me, “hard left.”

-K.W.

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Barnes and Noble: More Layoffs

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NEWS ITEM: “Barnes & Noble Is Laying Off Workers Amid Declining Sales”– headlines at news outlets like Forbes proclaim. What’s really happening?

The big box model for books was always flawed, in our estimation. Gigantic structures. Enormous space with attendant high rent and heating costs. Too many titles (yes: oversupply reducing the value of writers). Plus, half the customers read books or magazines at the cafe without buying them. I always suspected the cafe was the most (only?) profitable part of the enterprise.

Can we do better? We do happen to have on our drawing board our own model for a profitable-and-fun bookstore. One piece in our foundation for a new literature which we’re putting in place.

Just saying.

-K.W.

Revolutionary Wannabe #2

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(Chris Lehmann getting serious.)

Chris “I’m Not an Aristocrat” Lehmann is by all accounts a very serious person. He wants the world to know he’s serious, serious. SERIOUS.

Lehmann blew up at me on twitter earlier this week when I referred to him as an aristocrat. It was a throwaway line– after all, he IS a New York media Insider. I didn’t realize I was messing with his self-image. Lehmann quickly jumped into the discussion to set me straight:

(This is called Too Much Information.)

Chris Lehmann wants to be radical. NO more swanky parties with Ana Marie Cox!

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One half of him might be attracted to Manhattan glitz and flash– where The Baffler office sits– the other half is as aghast as a New England Puritan minister at the devilish debauched allure of the capitalist world. No! Temptation! Save me! Save yourself! Save everybody! We must march in the Revolution because that upper-crust world I have one foot out of and one foot in is EVIL!!

“I wanna, wanna wanna, wanna wanna wanna, wannabe, wannabe, wannabe, wannabe a Revolutionary! Yes, indeed.”

Lehmann wants to go marching down the street holding signs like Sunsara Taylor, but instead he’s in his office typing away– keys clicking, clicking– conflicted as always.

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(Madcap Sunsara Taylor.)
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Chris Lehmann is a collection of contradictions. In a recent Baffler essay Lehmann, who has worked at or written for New York Observer, Newsday, New York, Congressional QuarterlyWashington Post, Bookforum, NPR, Washington Monthly, Yahoo News, In These Times, Mother Jones, Tikkun, Reason, The Nation— criticizes the new class of “knowledge professionals”; as if he’s not among such class himself. (Remember, not an aristocrat.) He criticizes the existence of a “permanent political class.” But given the media’s power, isn’t it as bad to have a permanent media class? A clubby world where everyone knows everyone else and once you’re through the door, you’re in— as long as your ideas remain properly p.c. and predictable, that is.

That Chris Lehmann, of all people, is editor of The Baffler shows how far the publication has fallen from its days of Do-It-Yourself zinehood, when the upstart journal was part of a scene which believed that, in a democratic society, everyone should be a writer and publisher– the field not restricted to resume’d professional media elites (“aristocrats”) working for magazines whose reason for existence is to serve as glorified tax shelters for billionaires, or for scions of billionaires as a matter of “class inheritance.”

-K.W.

To Be Continued. . . .

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(Painting by Thomas Gainsborough.)

 

The Circle: Time’s Up?

OR, IS THIS SOMETHING HOLLYWOOD SHOULD BE TALKING ABOUT?

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DID successful male author Dave Eggers crib the work of female writer Kate Losse for his novel The Circle, which became this past year a mainstream Hollywood movie? It’s a question that was asked by Jezebel writer Katie J.M. Baker in 2013, in this article.

Eggers reacted by stating that he’d done no research for his book, period. The entire thing, details and plot included, popped full-blown into his head one afternoon. Similarities to Kate Losse’s book pure coincidence.

While Losse’s case might’ve been a bit of a stretch– at least, there wasn’t enough for a lawsuit– the case is indicative of the power mentality of well-placed men which is now under widespread assault. Eggers stone-walled, denying everything. He in effect said, “Go ahead. Make my day.” Daring the relatively powerless Losse to take him on.

In full disclosure, I clashed with Mr. Eggers myself in the early part of last decade, on a number of points. I know his ability to shut down, to put out of business, any journalist or writer who opposes him. A couple individuals who butt heads with him soon became virtual nonpersons, never to be heard from again.

Image is important to Dave Eggers. Given his carefully-manufactured good-guy persona, it’s everything. Yet he’s never hesitated in the past to appropriate from any and every available avenue in the pursuit of that image. One example was his accepting a “Firecracker” Alternative Book Award in 2001 for Best Zine, for the well-staffed-and-funded slick publication McSweeney’s. (One of the matters I and DIY friends disagreed with him on. There was nothing alternative about McSweeney’s or Eggers, and never has been.) I could mention other instances.

What’s the bottom line? Is it the corruption of power? Is it that the ruthless kind of personality which enables men or women to achieve great things also makes them unable to pull back from that steamroller mindset? Is it a question of entitlement– which many writers admittedly have? That the entire world and all its peoples exist as material for them?

-K.W.

Fantasyland: Or, Rich Guy Slams America

THIS WEEK we highlight a new book trashing America by establishment trashmeister Kurt Andersen, Fantasyland: How America Went Haywire: A 500-Year History.

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One doesn’t have to read the book– the text is in the title. The title is all you need to know about what’s contained in the pages.

Mr. Andersen is getting a splash of publicity c/o his publisher, with laudatory reviews.

“A frighteningly convincing and sometimes uproarious picture of a country in steep, perhaps terminal decline–”  -The Guardian

Kurt Andersen’s publisher is Penguin Random House, a multinational company, part of one of the “Big Five” publishing conglomerates which dominate the trade. Their headquarters is in New York City. They’d better hope the nation isn’t in terminal decline!

“Reading a great revisionist history of America is the bookish way to feel what it’s like to be born again.”  -Hanna Rosin, New York Times

Andersen himself, curiously, is an Insider’s Insider; a Capitalist’s Capitalist. One of the Elect: Harvard grad married to a Harvard grad. From his bio:

“He was named by New York magazine as one of the “100 People Who Changed New York,” and by Forbes as one of the “25 Most Influential Liberals in the U.S. Media.” And he was named the 2014 arts Medalist by Harvard College’s Signet Society.”

In his career Andersen has founded start-ups and sold them for huge sums of money. See the negotiations for one of his companies as related by Ken Auletta:

“”I don’t believe that anyone is going to give the company more money,’ Cramer remembers telling Andersen.”

He took the best deal. Cashed in. Sitting pretty. Yet Kurt Andersen isn’t happy. You would think he’d be kicking back smoking a big cigar saying, “Isn’t America great?” There’s no disdain for Harvard or venture capitalists (those he knows) in his book, one can wager. Instead, he takes aim at the American people themselves– for their populist ethos and political choices, all of which makes Kurt Andersen’s life, if not unprofitable, at least discomfiting. (2016 was the first time since 1984 that a Harvard-or-Yale grad was NOT elected to the Presidency, and in Andersen’s lofty milieu, that is simply outrageous.)

Yes, trash America’s 500-year history– and make yet more money in the process. Open the door for Dostoevsky’s Demons. Who cares? The French aristocrats who sparked revolution in 1789 were consumed by what they sparked. What does that have to do with aristocrats today?

Meanwhile, we have a question for our readers. How would you describe Kurt Andersen’s expression in the photograph below? Smug? Pompous? Arrogant? Or does the facial smirk represent something else? Indigestion? Complacency? Constipation?

Hatred of his own country?

Let us know. Thanks!

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Revolutionary Wannabe #1

FIRST in a series examining the radical stance of several of the literary establishment’s most prominent editors and writers.
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OUR QUESTION: Are any of these people for real?

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R.W. #1:  Lauren Groff

One of the New York Monolith’s most hyped literary commodities, Groff recently sent out this tweet:

Among her other statements, Groff has also said “Thanksgiving is a lie,” and white people, including her sons, owe “a profound debt” for their “vast privileges,” “which they have to repay over the course of their lives–”

WHO is Lauren Groff?

Lauren Groff has been published by Disney’s Hyperion and by Penguin Random House, both part of gigantic “Big Five” New York-based media conglomerates. She has degrees from exclusive Amherst College and from the University of Wisconsin. Her father is Vice-President of a health care company which owns four hospitals and 23 health centers. She’s upper-class enough to have had her 2006 marriage featured in the society pages of the New York Times. Groff’s husband, Clayton Byron Kallman, is a real estate developer– a business he began in by managing an apartment building owned by his dad.

NOT exactly a person who’s bucked the system to date. But things change– NOW she’s ready to chuck it all and march in the streets. To the barricades!
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(We invite Lauren Groff to join the D.F.S., or Disinvest From Success, movement, known also as Disinvestment Of Or From Unearned Success, or D.O.O.F.U.S. Instead of placing all burden on her sons, Groff can rip up her book contracts, her husband can give away his real estate holdings, and they can have undocumented refugees move in with them in their large home in Gainesville, Florida. This will tell the world that Lauren Groff is for real. Will she?)
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COMING SOON:  Revolutionary Wannabe #2.

-K.W.