THE LANA DEL REY STORY
I’VE BEEN THINKING about the career of pop singer Lana Del Rey after reading a 2012 article about her in The Guardian. About how she was going nowhere under the moniker Lizzy Grant– then changed her name and with it, her musical persona. As the article relates, “She married her music to a mysterious image, self-styled as a ‘gangster Nancy Sinatra,’ that paid homage to 1960s fashions and seedy showbiz glamour.”
A created character, with more confidence. That is, until word got out about her previous self, and the mask dropped when she appeared on Saturday Night Live. “She gave a hesitant, uncertain performance – suddenly more Lizzy Grant than Del Rey–“
This is straight out of the 1963 Jerry Lewis movie “The Nutty Professor” (remade by Eddie Murphy)– when hyper-confident, hyper-aggressive “Buddy Love” begins to unintentionally transform back into the uncertain professor who created the character.
(For what the off-camera Jerry Lewis was like, read producer Alan Swyer‘s recent NPL essay on the topic.)
Call it Reverse Jekyll-Hyde. Instead of the mad doctor creating a less attractive alter ego, he creates a more attractive one.
This is essentially what Hollywood stars Marion Morrison (John Wayne), Archibald Leach (Cary Grant), and Norma Jean Baker (Marilyn Monroe) did. While there was some connection between the previous individual and the created persona, much was a kind of fantasy projection of who the person wanted to be. Or who Hollywood agents, directors and producers wanted the person to be. Cary Grant/Archie Leach famously said that it took a lifetime of pretending to be Cary Grant until he actually was Cary Grant.
HAVE any writers created alter-egos?
Yes. Ernest Hemingway for one, who followed the philosophy of be your own hero. As several of his biographers make clear, “Ernest Hemingway” was in large part a self-created myth.
A topic to think about when considering ways that what’s known as “Literature” can break out of its tiny cultural box!
-Karl Wenclas, New Pop Lit NEWS